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Dave, Pete, Ray and Mick pensive in the park. |
I'm happy to
report that, after wondering in my last blog on the Sunny Afternoon musical
if the project had temporarily stalled, things seem to be moving in the right
direction again. It hadn't derailed but just diverted into a
siding for a spell. Let’s face it, it was never going to rocket along at
express train pace.
The fascinating story of the duelling brothers
whose musical collaboration resulted in such classic hits as You Really Got Me,
Waterloo Sunset, Lola, Sunny Afternoon and Dead End Street is brimming over
with about as much conflict as any screenwriter could wish for.
It’s ideal
source material for a drama, replete with bad romances, band brawls,
breakdowns, break-ups, comebacks, familial tragedies, feuds, groupies,
paternity suits, schoolgirl pregnancies, sibling rivalry, royalty disputes, suicide
attempts, transsexuals, US bans.
It would have to
be the ‘long-term passion project’ that it has been dubbed, requiring as it
does the cooperation of both Ray and Dave Davies in order to succeed. I can
only imagine the patience and perseverance this entails, balancing competing
demands from all sides.
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Ray, hair in a similar style |
With Ray based
in Highgate, close to where the brothers grew up in Muswell Hill and Dave now
domiciled in New York, physical distance is catapulted into the mix, just to
complicate matters further. Though perhaps that’s sometimes a good thing –
easier to put any problems down to transatlantic miscommunication rather than
inbuilt aversion and ingrained enmity. After all, Ray says the story is ‘about
two lads who didn’t really fit together’, observing that ‘I never really had a
relationship with my brother in a normal way.’
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to Johnny Flynn's barnet |
The leads are already on board – Johnny Flynn as Ray and George MacKay as Dave. Both British, Johnny has about nine years on George but both look young enough to play the Davies when success first struck.
Johnny (given
name Joe) Flynn boasts an interesting musical pedigree. He fronts a folk group
called Johnny Flynn and the Sussex Wit.
Their songs carry titles like
Barnacled Warship and Churlish May, very drama/art school, but also the more down
to earth Wayne Rooney.
I think Flynn has
something indefinable of Ray about him that means I can see him in the role;
and his talking voice sounds a bit like Ray when he was pretending to be
posher, like in this interview on an Australian tour.
A brief clip from Hit Scene.
His grandfather Eric Flynn went to RADA, where he met first wife Fern, and took the lead in many West End musicals. Sons Daniel and Jerome from his first marriage followed their parents’ footsteps into drama.
His grandfather Eric Flynn went to RADA, where he met first wife Fern, and took the lead in many West End musicals. Sons Daniel and Jerome from his first marriage followed their parents’ footsteps into drama.
So Johnny is a
younger half-sibling to Ripper Street and Game of Thrones star
Jerome Flynn, who back in the mists of time also enjoyed chart fortune as one-half
of duo Robson & Jerome, alongside small-screen stalwart Robson Green.
The pair from the TV show Soldier, Soldier scored a hat-trick of number ones with covers of ‘Unchained Melody’ (top selling single of 1995, in the days when you had to physically purchase something for it to count), ‘I Believe’ and ‘What Becomes of the Brokenhearted’ after being persuaded to sign a recording contract by then little-known Simon Cowell (before he evolved into the savvy music mogul inextricably linked with The X Factor and Britain’s Got Talent). The duo also scored two number one albums with their covers of classic hits.
The pair from the TV show Soldier, Soldier scored a hat-trick of number ones with covers of ‘Unchained Melody’ (top selling single of 1995, in the days when you had to physically purchase something for it to count), ‘I Believe’ and ‘What Becomes of the Brokenhearted’ after being persuaded to sign a recording contract by then little-known Simon Cowell (before he evolved into the savvy music mogul inextricably linked with The X Factor and Britain’s Got Talent). The duo also scored two number one albums with their covers of classic hits.
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George MacKay |
MacKay was born
into a bit of a theatrical family too, his mother a costume designer and father
a stage/lighting designer. When only ten, young George landed the part of
Curly, one of the Lost Boys, in Peter Pan.
The actor most
recently featured on the small screen in an adaptation of The Outsider.
Personally, I found him distinctly underwhelming in the role of Lewis Aldridge,
one that I’d had natural sympathy for in the novel. He seemed to be
sleepwalking through the part as if lobotomised, and his failure to change his
frankly rather moronic expression irritated me so much that I didn't bother to
watch the second part.
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George Maguire |
However, the director of Sunshine Dexter Fletcher seems almost to be
describing the youthful Dave Davies when he talks about MacKay, insisting:
He does have that 'men want to be him, girls want to be with him' potential. He's cool, he's funny, he's sexy, he's sensitive, he's intelligent and he's good-looking.I can't see it myself though I'm quite impressed that MacKay is dating Saoirse Ronan.
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No caption necessary |
George Maguire
from the musical bears more superficial resemblance to the youngest Kink and is certainly sexier. Remember, both Maguire and John Dagleish, who played Ray in Sunny Afternoon,
deservedly picked up Olivier Awards for their roles.
The only other casting news is that director Julien Temple’s daughter (with producer Amanda Temple) Juno is to play Ray’s ex-wife Rasa. This is a little perturbing to me, not the choice per se, as I'm sure she’ll be fine (and if anything she’s more attractive than Rasa), but because I would have thought that casting the rest of the band would take priority. Juno has enjoyed parts in major features such as Notes on a Scandal and Atonement.
Rasa seemed to have been assigned quite a pivotal role in the musical so this may go for the film too. Ray’s stance on the marriage has mellowed since the publication of his biography X-Ray (reviewed here), in which his alter ego seems to view his younger incarnation as a gullible sap possibly hoodwinked into the whole thing by people on the make. He calls it ‘only part of a series of events happening to me that were completely out of my control’.
The only other casting news is that director Julien Temple’s daughter (with producer Amanda Temple) Juno is to play Ray’s ex-wife Rasa. This is a little perturbing to me, not the choice per se, as I'm sure she’ll be fine (and if anything she’s more attractive than Rasa), but because I would have thought that casting the rest of the band would take priority. Juno has enjoyed parts in major features such as Notes on a Scandal and Atonement.
Rasa seemed to have been assigned quite a pivotal role in the musical so this may go for the film too. Ray’s stance on the marriage has mellowed since the publication of his biography X-Ray (reviewed here), in which his alter ego seems to view his younger incarnation as a gullible sap possibly hoodwinked into the whole thing by people on the make. He calls it ‘only part of a series of events happening to me that were completely out of my control’.
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Juno Temple |
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Ray and Rasa |
Daughter of
Lithuanian refugees, Rasa Dicpetri met Ray as a fan of the band and still a
pupil at a Roman Catholic girls’ school in Bradford. The two became romantically entangled although Ray was enjoying a
smorgasbord of, well, let’s just call it ‘other sex stuff’ with groupies and other
girlfriends, according to the aforesaid bio. And he may even have ‘played away’
(I’m veering into tabloid territory) with Marianne Faithfull but it’s all artfully
smudged by our unreliable narrator(s) so that the full picture is obscured.
When Rasa fell pregnant (neither brother seems to have been that au fait with
contraception), the pair got hitched fairly swiftly. I get the feeling that
Rasa’s parents pretty much insisted on it. And that Ray didn't really have time
to object. Or a leg to stand on.
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Tom Hughes in Ticking. |
I still favour Tom Hughes (currently starring in Ticking at Trafalgar Studios) for Mick Avory and Matthew Goode (most recently in The Good Wife stateside and Downton Abbey over here) for Pete Quaife (see previous blog on subject) and pray their roles get beefed up a bit from the minor back-up ones they were parcelled out in the musical.